“You don’t give them what you think they want. That would be mad! The only useful index you’ve got is what you would like,” said Moffat, speaking during a panel session at the MIPCOM conference in Cannes.On the one hand he's quite correct. Many is the show (Lost) which has changed its narrative to fit the requirements of internet discussion board before going a bit wonky. But unfortunately for Moffat, and I'm sorry, I'm really sorry if you're one of the ones who is enjoying this can't find anyone who doesn't agree with you but I think I've met about one person whose perfectly happy with this series and doesn't find it a total shame. So yes, Moffat isn't giving us what we want. But on this occasion it isn't a good thing.
“It’s really a strange way to write a story, and an arrogant way to write a story: to give them what they want. You don’t even know what birthday present to give the person close to you! How would you know what everybody wants?” he said."
Also since I'm on this, "You don’t even know what birthday present to give the person close to you!" Actually, this is entirely possible if you know them well enough to know the kinds of things they like. Failing that there's always the Amazon Wishlist. I'm 40 at the end of this month. Also, when it came to The Day of the Doctor, he gave us all exactly what we wanted. So actually he's wrong about something.
Meanwhile here's a clip from Flatline which is simultaneously hilariously goofy in a good way and yet doesn't quite work because Capaldi and Coleman's performances don't match:
Theory. The reason Clara spent half of the last episode in the train carriage and the Doctor spends what looks like the majority of this one in the console room is how they're coping with the old double banking problem. See also Amy in the TARDIS in The Lodger while the Doctor's missing for a chunk of Amy's Choice.