"Michael Wadleigh’s Woodstock documentary makes similar historical omissions for various reasons. Turning three days of peace, love and music into three hours of cinema mandates that some artists simply aren’t going to make the final cut. Additionally, technical issues seriously affected footage of some bands, and in a couple of cases artists didn’t want anything to do with the film.The BBC's Glasto coverage ever expands but even then some bands find themselves omitted because the BBC doesn't happen to be covering a given stage. Or as with Young, the band decides they don't want to available on iPlayer for the following month.
"Neil Young stands as the most famous of the latter group. Crosby, Stills and Nash’s acoustic set remains a highlight of the movie, but their electric set with their fourth member is lost to the ages because Young refused to play with Wadleigh’s camera crew on stage, feeling that they were too invasive. As a result, the Woodstock mythology remains cemented as a wonderful night for CSN without the Y."
Music On the occasion of the loss of filmmaker Albert Maysles, Diffuser looks at his work on concert films and more widely how there's a huge difference between a standard recording of a set and what's achieved when someone with a sense of narrative and wider context is involved. There are some interesting nuggets throughout, like this on Woodstock:
Posted on Tuesday, March 10, 2015