Film One of the great joys of the MARVEL cinematic universe is the post-credit sequence not just because of the added value but also because they're a way for cinema goers to note exactly who else lives in their head space. At each performance of one of these films there will always be people who leave just after the given director's name disappears and they'll always but always survey the auditorium, a questioning look in their eye wondering, "Why are you all still here? Why haven't you left yet?" before turning and leaving us to see either the actual end of the story (Thor: The Dark World) or a preview of what looks like footage from the next release (Ant-Man). The most ironic example of this was the screening of Avengers: Age of Ultron I attended, a film where the producers and director had warned that there wasn't going to be anything after the credits but the entire audience, some thirty of us, stayed in our seats anyway. Just in case.
Unlike most of those, the post-credits sequence on Ferris Bueller's Day Off is pretty difficult to miss, with the duration of the credits absorbed with Ferris's headmaster having to take the school bus and a first floor corridor in Ferris's house appearing just after said vehicle has rolled into the distance. That makes what he says, "You're still here? It's over. Go home. Go." Well, yes, Ferris, it's over now, you scamp. For a while I thought this was the first, but as this Wikipedia page explains, it might have been The Rutles: All You Need Is Cash or The Muppets (depending on your attitude to the former being a theatrical release). The one for Adventures in Babysitting is especially fun because it ties up one of the film's bits of plot. But was Ferris the first to speak to the audience directly? What must that have been like at the time? Did people just laugh? Were some of them freaked out?
On video, it was a particularly useful moment because it signalled the end of the Yello track if you didn't happen to be watching the screen. Ferris is a rare example of an 80s film which doesn't have a soundtrack album because John Hughes didn't think it constituted a coherent collection of songs and didn't think anyone would want to buy them and so the only way to listen to some of the songs back in the VHS age was the simply watch the film. The Dream Academy's cover of Please, Please, Please Let Me Get What I Want has only just become widely available on their best of album this year and the version at this Spotify link isn't even the instrumental from the film. So for a while I'd simply have the video on in the background and let the sounds fill the room and when Ferris's voice appeared it reminded me to rewind the tape so I could start all over again.