Buffy the Vampire Slayer at 20: the thrilling, brilliant birth of TV as art:
"Twenty years on, the brilliance of Joss Whedon’s funny, tragic seven-season synthesis of most film and TV genres, literary conceits and pop cultural tropes remains undimmed."
Buffy the Vampire Slayer was a feminist parable for everyone – including me:
"Anthony Stewart Head: Twenty years after we started, I see that our series gave flesh (and horns) to the demons we all face in life: teenage Buffy’s storylines transcended age or gender."
And here are some archive links from this blog. This blog is old. The first three were written after transmission.
Season Five Review:
"The actual teaser was an actualization of the idea which Creator Joss Wheadon has sited as his reason for creating the film and show – a cheerleader going into an alley and able to surprise her attacker with her funny and martial arts. As the scene played out it was clear that the world was on her shoulders."
Season Six Review:
"The seasonal structure of the series is actually fairly brave. A main arc based about a 'big bad' which runs through all twenty-two episodes, weaving its way through the stand alone episodes. It's a middle ground between the Classic Star Trek model in which the reset switch in the characters is effectively pressed at the end of each episode no matter how life changing the moment and The X-Files in which a conspiracy story carried on interminably for nine series and still wasn't resolved. It gives the seasons a form very similar to film, albeit over a much more extended period. By having a massive foe it also offers a good shorthand of good guy / bad guy for casual viewers."
Season Seven Review:
"Then the season plot kicked in and things began to go all floopy, the balance thrown asunder. Xander started making big speeches. Willow began to worry about her witchcraft and the burden of responsibility again weighed heavy on Buffy's shoulders. The obsession with Spike showed itself again, the premise of the show being stretched again as the VAMPIRE who had KILLED PEOPLE was kept alive because he was a main character who was popular. The fact that all the fun had left him seasons ago when he was neuter didn't matter. I'm not anti-Spike. He's a great character. I'm just anti-whattheydidtohim."
rewatching all of the television series on which Joss Whedon has had overall creative control
"My expected appreciation curve for Buffy: The Vampire Slayer was that after a barnstorming first three seasons, the show would become a rather patchier affair in which individual piece of classic television usually written and directed by Whedon himself (Hush, The Body, Once More With Feeling) provided a scaffold for less compelling overall story arcs and baddies, with the Nerd Trio in Season Six, and Season Six actually the nadir."
Mystery Music March in April: Once More With Feeling – The Cast of Buffy: The Vampire Slayer:
"I just love Once More With Feeling. Fans of musical theatre probably look down their nose at it and can see the broad shoulders of the giants it’s balancing on but the only musical I can sing along to from top to bottom and which (and I do think this is important) has an emotional content I can relate to. The problem I often have with musicals is that no matter how good the book, or how much empathy can be generated through the touching emotional break, the songs themselves are meaningless outside of their context."
Posted on Friday, March 10, 2017