feeling listless

Sculpture The Henry Moore Institute in Leeds is an exhibition and study venue dedicated to three dimensional art objects. For me, it's one of those places I'll have a connection to, not just because I worked there, not just because this was the place which cemented my interest in art, but also what it represented for some of the time at university. If my first year was messy, the second was even worse - the house I lived in was from hell, full of people I didn't get along with at all (stories to come you can assume). But when I knew I couldn't go home, I knew there was one place I could go which was a place of calm - away from them, away from study, away from the world. Even on the days I wasn't working there I knew I could drop in, see my friends, and feel the world fall away. This was the place where art first made me cry and where I went to my first private view.

One of the strengths of the gallery is the connection to artists. I've always been more interested in the production of art, rather than the subject itself, so I was always impressed by the fact the institute could get world renouned sculptors to visit to talk about their work. At the end of this month, their new exhibition 'Close Encounters: The Sculptor's Studio in the Age Of The Camera' looks at photographic representations of the artist's studio. Such pictures can be earth shattering - to see what are probably some of the most famous works of art in one space together before they disappeared to the four corners - some of them before ink has dried on the sketches or the varnish has dried on the carvings. If ever there was a show to get me back to Leeds this is it...[via The Henry Moore Institute Newsletter]