Showing posts with label the list. Show all posts
Showing posts with label the list. Show all posts

I'm Such An Idiom.

Life  Waiting for the moment to put the tea in the oven, I was just idly ego-googling and discovered, thanks to the magic of Google Books, that I'm quoted in the latest edition of the Oxford Dictionary of Idioms!  Huh?

Both quotes are from this blog post in 2013 in which I talk about my hernia operation (the book gives a publication date of 2014).  

The first quote is for "cross your fingers" and is on the same page as an example taken from The Bible (Matthew's gospel).


The second quote illustrates "the end of the world" which given recent events (my Mum recently died which is why I haven't really felt like being here) is especially relevant.  Sometimes it does look like it could be ...


As you might expect, I've now ordered copy of the book so I can see if there's a bibliography and if it actually explains what "feeling listless" is.  Just glancing at it, you might think it's some bestselling novel, not that it has the most enticing title.

The List:
Have an email read out on @wittertainment.

Film Oh wow, so this happened.

The Set-up:

Dear Mal and Wash,

Just listened to Mark's review of Serenity in a post viewing, hazy miasma (on Sky Cinema rather than an actual cinema) and although it is not a good film I did want to defend at least the central performances from McConaughey, Hathaway etc

Without spoiling the twist that isn't, my impression is that the actors are playing into the requirements of the film's setting and requires performances which hover between a glossy Hollywood style and something altogether more simplistic.

They're doing what is probably expected of them and giving a pitch perfect version of that even if it has no relation to how normal human beings react, because [spoiler spoiler spoiler spoiler and indeed spoiler].

Which isn't to say that it's entirely consistent and the director's other key influence seems to be early 90s erotic thrillers which doesn't make an awful lot of sense given what we learn as the story continues. To say anything else would be too much of a spoiler.

In other words, although this is otherwise a good example of what happens when someone who isn't Christopher Nolan attempts to make a Christopher Nolan film, the Mcconaissance is fully intact as is Hathaway's come back and The Princess Diaries 3 can't come soon enough.

Take care and tinkety-tonkety,

Stuart Ian Burns
Hard fought merit in MA Screen Studies at Manchester University.

The Result:

Well, scroll through to about minute 28 on the podcast.

Yes, that is Simon Mayo reading out the email (including stage directions) and Mark Kermode reacting to it and giving some coherent reasons as to why I'm wrong, or at least being very sympathetic to the performances.

So that happened.  Wow.

5. Have an email read out on @wittertainment.

London Calling:
Zebras.



Life  Here's a cautionary tale about planning ahead and checking destination details.  Yesterday was my monthly visit to London.  The day in summary: Abbey Road (see below), 221b Baker Street, Notting Hill for Portobello Road and the book shop from the film Notting Hill, what remains of BBC Television Centre, Westfield shopping centre and Brick Lane.  Find above my evening meal, the most expensive burger they have on the menu at Ed's Easy Diner back at Euston Station.  The NUS extra alumni card allows you to get 50% off food.  I shall not be eating properly again for a week.

To Abbey Road and the chance to visit a Beatles landmark that isn't in Liverpool and experience what it must be like for tourists to take the bus out to Penny Lane and discover with some disappointment that it's just a suburban street (and that the lyrics of the song are really describing the bottom end of Church Road and the junction with Smithdown Road).  As expected Abbey Road is just a suburban street.  Nevertheless it's still exciting to see an iconic cultural landmark.  I'll get to the Tower of London eventually.

After a glance at the tube map, it seemed logical that Abbey Road, home of the zebra crossing on The Beatles album cover and the recording studio would be next to the DLR station called Abbey Road. I was even quite proud that I managed to work out a route from Euston which meant I didn't need to repeat my DLR journey from last month and mostly utilise the Northern Line instead. On the way there I began listen to album itself and was full of excitement as I skipped up the steps from the platform the station only to be confronted with this:



Stop giggling Londoners.  No actually don't.  It was my own fault.  On the upside TfL are kind enough to provide this punning sign knowing full well that there are enough stupid people in the world who (a) have looked at the actual album cover thought this suburban area would be anywhere near dockland and indeed that all of the musicians would actually travel out to the Dockland to work and so (b) made this journey.

After adding an extra hour's travel time there and back again, I did eventually make it to Abbey Road turning the corner just as the final track of the album, The End reached its conclusion a coincidence you could just plan.  This was my first listen right the way through and although it's enjoyable for the most part, it mirrors most pop records in that its obvious to see why those songs were chosen for singles.

The Studios own website have a CCTV camera set up so its possible to see yourself cross the road and so here's the back of me dodging traffic:



There's a lot of traffic dodging, a constant stream of tourists to the spot and most of them, at some point, walk into the middle of the zebra crossing to create the pose made famous in the publicity campaign for the last series of Doctor Who. After watching the mess of honking horns and near death photography for a while, a tourist couple asked me to take their photograph, which I obliged, standing in the middle of the road just long enough for them to get into the position. Then they offered to do the same:



No, I have no idea either. Or who she is. But that's rather the problem. Everyone wants to have their picture taken alone but there are too many people so you end up with shots like these.  But enjoy my normcore and scruffy hair nonetheless.

The crossing works in reverse to how its supposed to.  The traffic doesn't stop until someone is actually walking across it.  Presumably if the cards actually stopped and waited for people to cross or get their picture taken as per every other zebra crossing, they'd be there a very long time.

London Calling:
The V&A.



Museums Yesterday I visited the Victoria & Albert Museum for the first time in my forty-one years, a day trip from Liverpool. There are plenty of justifications for this, but partly it's because of the reasons outlined by the Cancer Doctor who appeared on the PM programme tonight. He told Eddie Mair that one of the key decisions people make after a diagnosis, especially after a terminal diagnosis, is that they fling themselves headlong into a bucket list and how he wished more people would take that attitude before a diagnosis so that they don't feel like they have any unfinished business should the worst happen. Recently I decided that since I am nearly forty-two, that we only have one life and we don't know what might happen tomorrow, I should do some of the things I've always wanted to do.

Yesterday I visited the Victoria & Albert Museum for the first time in my forty-one years, a day trip from Liverpool. Instead of offering a review, because it's pointless to review a hundred and fifty year old museum of this magnitude, here's a list of things I learned.

(1) Pay attention to the tube map and don't panic on the underground. 

 After heading down to Euston Square tube station, for some reason although I'd already checked the route beforehand, I managed to confuse the Circle and Piccadilly line in my head and then rushed onto a train which meant I not only managed to get on a train on the wrong line but it was also going in the wrong direction. Fortunately, I was able to calculate that I could alight on Edgeware Road and swap to a Circle line train going in the opposite direction taking me back round to South Kensington station. Londoners can now feel free to call me the "fucking amateur" that I undoubtedly am.

(2)  Tyrone Guthrie invented the thrust stage. 

The key reason for visiting the V&A other than so that I can actually have the memory of visiting the V&A now whenever anyone refers to it, was to see the theatre and performing arts display. This was somewhat of a return visit having previously seen much of it when originally housed that the Theatre Museum in Covent Garden nearly ten years ago. As expected this is a shadow, a mishmash of the highlights collected around themes which does the collection something of a disservice.  It's a continued disgrace that we don't still have a national theatre museum, but I expect one of the reasons the original closed was due to visitor numbers -- it was deserted when I went -- so I'm not sure what the solution is.

For Shakespeare fans there are three key objects.  They have a Shakespeare First Folio, which was an unexpected surprise, opened on the first page of The Merry Wives of Windsor rather than Shakespeare's portrait which makes a change.  There's also the tunic Henry Irving wore for his Benedict in Much Ado About Nothing at the Lyceum in 1882.  Then there's a large diorama which explains the history of thrust stages with miniature recreations of festival theatre in Ontario, the Royal Shakespeare Theatre in Stratford and the recreation of the Globe which really explains the difference between a genuine thrust, a half thrust and a glorified proscenium arch with Tyrone Guthrie's original designs as the standard.

(3)  Wherever you go, there you are.  

The V&A has a vast fine art collection, much of which is strewn throughout the chronological and geographic displays more on which later, but two rooms are dedicated the Sheepshank collection, gifted to the museum by a cloth manufacturer from Leeds.  Almost as soon as I walked into these rooms, I realised that I'd stumbled into just the sort of display I'd expect to find in a regional art gallery and that for the following half hour I was essentially on some lost version of one of my old Public Art Collection visits, more so considering, as was so often the case then when I'd turn up in a town only to discover the gallery was closed for renovations, that one of the rooms was closed for a rehang, the one which just happened to have my beloved pre-Raphaelites.

Many of the same artists feature, a Landseer, some Ettys.  I imagined myself, notebook in hand, giddily jotting observations about their William Blakes or excited about what could the best painting on display, Danby's Disappointed Love.  A young woman crouches in woodland next to a lake in total despair, miniature portrait and torn letter signalling something horrific has happened to her heart.  The mystical detail of the brushstrokes isn't realistic but still draws you into the image, her white dress popping against the dark green of the trees.  If this had been the result of travelling to a Macclesfield or Oldham I would not have been disappointed and here it is hidden away in a corner of the V&A.

(4)  Gallery fatigue continues to be a threat.

As you'll have noticed from previous dispatches, if I'm even slightly interested in an exhibition, I like to take to time to see everything which generally means I'm wandering around for quite some time longer that most people.  Shakespeare in Ten Acts at the British Library a few months ago took me three hours.  The upshot is that gallery fatigue tends to set in after about two to two and a half hours, as the ability to absorb what I'm seeing disappears.  After the theatre and painting rooms, which also includes a display of Turner and Constable and despite the intervention of lemon cake from the cafe, gallery fatigue really began to lay it groggy clutches on me by about half two in the afternoon which is a bit of a problem if you're there for a whole day on purpose, especially since ...

(5)  The space is big. Really big. 

The V&A, like most national galleries, is huge, the equivalent having the whole of National Museums Liverpool in one building five times.  With my approach to museums, I'd could spend a day just working my way through a single room or section, so it would take me roughly three months to see the whole thing.  With just a few opening hours remaining, I took the unsatisfactory decision to simply walk the place, map in hand, making sure I'd stepped through all the rooms attempting to make the gallery fatigue work for me as I only stopped to see the items which really caught my eye, mainly the paintings mixed with the furniture and decorative arts materials telling the story of a particular period in history.

The experience was a bit like that sequence in George Pal's film adaptation of The Time Machine as Rod Taylor watches history unfold before him, or Lucy in Luc Besson's film of the same name.  So much to see, too much to take in.  I dawdled most in the rooms which have been scooped up from their original establishments and recreated in the museum, panel by panel, like pocket universes (which also made it also somewhat like seeing a National Trust property or stepping through the mirrors in Doctor Who's The Girl In The Fireplace).  But even then, I was conscious of the clock, the deadline of the museum closing time causing a need to push on.  Seeing so many beautiful objects in one place is overwhelming especially when there's barely seconds for your mind to gather context, read notes.

(6)  You just won't believe how vastly, hugely, mind-bogglingly big it is.

The one room which must be visited is the Raphael chamber.  Massive frescoes leant by her Majesty the Queen line the walls of a space which is the size of a church if not a cathedral, which given how much of the rest of the surrounding spaces have low ceilings is truly awe inspiring.  The paintings themselves are actually pretty difficult to look at, light shining across their protective glaze, but the equally massive information labels offer a decent synopsis of what we're seeing.  Oh to have a day to simply sit in that space and watch people's reactions on entering looking up and around the contours of the ceiling boggle eyed.  But the V&A is rather like taking the Grand Tour in one place, probably because much of its collection is from the results of that Grand Tour.  The cast galleries feature plaster recreations of some of Europe's great statuary including Michelangelo's David which is much  taller than I expected.

(7)  There aren't enough toilets.

As we've discussed before, I'm usually happy if there's some decent paintings and adequate toilets at a museum or art venue.  The problem at the V&A is that because they gallery is so vast, it takes a good five minutes to walk to the nearest toilet which is a problem if you have the constitution of a child and need to go more than most especially if you're standing up a lot.  Eventually I worked out some good routes back to the main toilets but please, the V&A, for the love of Daenerys Targaryen will you please add some more conveniences or failing that better signage in the middle of the exhibition spaces demonstrating their locations.

(8)  I ain't nothing like a Dame.

In the performance section, alongside a recreation of Kylie Minogue's tour dressing room (add another day to unpack that visual feast) is a selection of costumes for dress up amongst which is Widow Twankey's dress.  Once I'd worked out which way it was supposed to fit, and after another visitor offered to attach the velcro at the back, I took this selfie:



I'm sure having a hat would have made the difference.  On the upside, having lost all of this weight over the past few years, most of the costumes were way too big for me.  Yes, I tried them all on.

(9)  You can't see everything.

Which feels like I'm repeating myself, but it's true.  As closing time descended, I was just stepping into a gallery dedicated to the Americas.  Having barely glanced at anything, the staff were pulling chords across doorways and closing the rooms down, a massive physical hint that they wanted to go home.  Sorry, photography.  As I wandered with urgency back to the cloakroom to pick up my backpack, I was impressed with the speed that the staff were able to coax visitors towards the exit.  Having worked in similar situations, there are always straddlers and yet here we all were streaming towards the doors before the closing time of a quarter to six.

(10)  You can't walk back to Euston from the V&A in three hours.

Or at least not the way I was attempting it.  Google Maps indicated it was possible to walk to Euston from the the V&A in just over an hour.  Deciding it would be a good way to see new parts of London, or parts of London new to me, and with a three hour gap between closing time at the gallery and my train home, I photographed the route ahead of time.  This took me into Knightsbridge which meant I could visit Harrods food hall (to buy a Christmas pudding) and the original Harvey Nicks and wander through Hyde Park at dusk, see the lake and then step under the actual Marble Arch.  Which was all fine, except I then misread the map on my tiny iPod screen and walked way too far up Edgeware Road to the point that I was completely lost.  After asking a street sweeper for directions, who spent the next three minutes telling me he didn't know, I walked up another wrong street and ended up taking the tube from Paddington station back to Euston following much the same route as before.  Fucking amateur.

Greener.

Politics After retweeting something which she's since deleted, a contextless tweet that said, "Not quite how I'd put it, but some interesting facts" to which I retorted:


This happened:



44. Followed by the leader of a political party on Twitter.

Review 2012: The Projects:
The List:
7. Eat a Hostess Twinkie.



Food The last thing I expected during my annual Christmas visit to Manchester was to eat a Hostess Twinkie.

Perhaps I should offer some background so that you can understand the magnitude of that statement.

My first exposure to comics, or rather American comic books, were random issues bought for me from a market stall in Speke, the place in Liverpool where I was originally brought up.

This would have been the early eighties and in those days instead of recycling, out of date magazines and comics were sold through these market stalls without their covers, though often the comics still did.

I still have some old Doctor Who monthlies and magazines from that period and it’s from here, as a treat, my Mum would buy me issues from all the superhero greats. She’d give them as a surprise in restaurants to keep me quiet along with copies of Fun-To-Do, the kids colouring and craft magazine.

Somewhere in the midst of these comics there would always be a curious one page strip, usually featuring a completely different character, which always ended with them enjoying or at least extolling the virtues of something called a Hostess Twinkie.

To my young, impressionable eyes, these seemed like exciting, exotic treats. If they were nice enough for Peter Parker to share with his Aunt May, they must be something extra specially, special.

Imagine my disappointment when I asked for some from my Mum, and she’d not only never heard of them, but when she asked at the local Fine Fair, they hadn’t either.

I showed her the comic for identification. This just simply wasn’t something which was sold in Speke in the 1980s. I think she bought be some Cadburys Chocolate Animal biscuits instead, digestives in the shape of lions, elephants and monkeys.  Exciting but not the same.

Then as I began watching Hollywood films, I noticed Twinkies were referenced relatively frequently. The one which made the most impression then was from Ghostbusters, Egon describing the mayhem within their ghost containment unit:

“Well, let's say this Twinkie represents the normal amount of psychokinetic energy in the New York area. Based on this morning's sample, it would be a Twinkie... thirty-five feet long, weighing approximately six hundred pounds.”

He was waving a Twinkie around as said this and it still retained that element of mystery. I knew and understood that all it was really was a sponge cake with some sort of cream in the middle, but its unavailability only increased its mystique.

Some day, I told myself, when I go to America, one of my first experiences will be eating a Twinkie, priority one probably, above visiting the Statue of Liberty and the Empire State Building.

Time marched on. Even as the pop culture references piled up, I resigned myself to never eating a Twinkie. In Die Hard when Bruce Willis eats a “thousand year old” one. In Zombieland when they become one of the characters primary missions because of the expiry date.

Then, in real world that expiry date gained unforeseen importance.

When Hostess entered administration in November, I realised that even if I ever did manage to cross the Atlantic, I’d have to make do a the statue and the building.

Then, oh then, I visited Manchester.

Americandy is a small chain of shops recently opened, in Exchange Square, at Picadilly and in Kings Street which is the outlet I visited.

Just out of curiosity. Both the Harvey Nicks pop-up and Central Perk in Liverpool sell American sweets but I wondered just how much variety a shop which sells this sort of confectionery might have, how detailed their purchasing.

Sure enough most of the brands on sale have already penetrated the UK marketplace, though the options available are slightly different. Plus I haven’t seen Lucky Charms anywhere else. But that’s just a cereal.

I approached the counter. I already knew the answer before asking so I framed the question according.

”I don’t suppose you have Hostess Twinkies?” I was already backing away on the expectation of a negative answer.

“Yes. They’re in the basket over there.”

I think I may have jumped for joy. I think I may have said “Really?” then “Really?!?” again.

At this point the basket took on a mythic significance. Like the ark of the covenant or a holy grail. Sure enough, Hostess Twinkies. £3. I didn’t hesitate.

Back at the counter, I put the precious object on the counter. I just kept looking at and looking at it. It seemed to so small, its significance magnified by three decades of covetousness.

Finally I’d be discovering what it was that caused the Penguin to hypnotise a delivery man simply so that he could hoard his delivery of the sponges to Gotham City.

“The company’s gone into receivership.” I said, passing the time, but really just trying to keep my mind on the transaction.

“That’s why they’re £3," she said, "They used to be £1.50.”

I grinned. I took my change. I picked up the Twinkie, turning it over in my hand as I walked out of the shop. The top was golden and curved at the edges. On the flat bottom I could now see the holes where the cream is syringed or poured into the centre.

After a nanosecond of wondering if I should take it home with me, I began to unwrap it, my hands shaking.

I took a bite. As expected, it really is just some very nice sponge cake with fake cream, a substance not unlike the material which appears in a Cadbury’s Mini-Roll, probably the same substance, jammed unevenly in the middle.

But I savoured. Oh how I savoured.

I stood in an alleyway opposite a stall selling French winter clothing, leaning against the wall and eating this Twinkie as slowly as a Twinkie has probably ever been eaten.

Then it was gone.

After a thirty-year wait, I’d eaten a Twinkie, and you could say in the nick of time. They’re still being made by a company under license in Canada, and although they’re about the same, under the same recipe, the bakery’s in Montreal and they’re not being made by Hostess.

Now whenever I see those films which mention them, I’ll understand what they’re talking about, I’ll have the memory of the taste, or the version of the memory of the taste which integrates all of the hopes and dreams inherent within the eating of it.

The next thing I did was phone my mother and tell her, described the taste, described the purchase, reminded her of the comics she used to buy me. She seemed pleased, in that bewildered way my parents often are when I’m telling them about some new, fool adventure.

What I didn’t do was go back and buy another. Having had one, I wanted to keep it special. Plus I knew I was having a strudel with custard later in the afternoon and I’m watching my weight.

But as you can see I've kept the wrapper for a bit.  It still as bit of the sponge on it, fragrant with the smell of what's now in my stomach.

The Christmas Market was as fun as it usually is, with Zippy dressed as Santa sitting on the Town Hall overseeing everything.

There’s an exhibition at the Manchester Art Gallery of sculptural work created just with paper, including a forest, an extraordinary machine and a film in which the imagery comes to life directly from its pages in silhouettes.

There’s also an amazing exhibition at the John Rylands Library about Anthony Burgess and his work with Stanley Kubrick on the making of A Clockwork Orange, which includes Kubrick’s own letter to Burgess explaining his reasons for not adapting the author’s book about Napoleon and the actual white sculptural phallus brandished by Malcolm McDowell in the film.

Yet, throughout, all I could think about, and I kept saying to myself was, “I’ve eaten a Twinkie.”  I've eaten a Twinkie.

7. Eat a Hostess Twinkie.

The List:
33. Correction published by The Guardian.

Journalism A few days ago ...
From: Me
To: reader@guardian.co.uk
Date: 2012-01-22 09:18:40
Subject: How Ed Miliband's cuts policy is dividing Labour's heartlands correction

The geography in this piece about cuts to Library services in Liverpool is a bit muddled

http://www.guardian.co.uk/politics/2012/jan/20/miliband-labour-cuts-liverpool-reaction

At first I thought "hold on -- Woolton's solidly LibDem"

http://en.wikipedia.org/wiki/Woolton_%28ward%29

Then I realised that what you meant was a safe Labour was the parliamentary constituency of Garston and Halewood run by Maria Eagle, which also includes:

Allerton and Hunts Cross (in Liverpool);
Belle Vale (in Liverpool);
Cressington (in Liverpool);
Halewood North (in Knowsley);
Halewood South (in Knowsley);
Halewood West (in Knowsley);
Speke-Garston (in Liverpool);

But neither Maria Eagle or Garston and Halewood are mentioned which has created a lack of clarity, which also isn't helped by mentioning Woolton in the opening paragraph and then spending the rest of its duration talking about *Walton" which does lend its name to a parliamentary constituency.

Take care,

Stuart.
Today:
from: reader@guardian.co.uk
to: Me
date: Wed, Jan 25, 2012 at 4:54 PM
subject: RE: How Ed Miliband's cuts policy is dividing Labour's heartlands correction

Thanks Stuart -- the earlier reference (para 2) to "a safe Labour constituency" should have specified Garston and Halewood. I'll amend this text and add our usual explanatory footnote shortly.
Best wishes.
So ...


Which means:

33.  Correction published by The Guardian.

The List:
14. Joke printed in The Guardian.

Elsewhere A couple of days ago, The Guardian printed a photograph of a rather uncomfortable looking President Obama and Republican Congress speaker John Boehner in an unguarded moment and asked for captions. I thought of something and sent it in. This morning, flicking through the G2 supplement on the way to work and ...



... there I am ...



... offering not the most original thought.  Almost all the other captions worked in the coffee cup and in far funnier ways.  But still, full name, place of birth.  Good start to the day, thank you.

14.  Joke printed in The Guardian.

The List:
17. Walk like a ninja.



Life Tonight was another instalment of Social Media Week, this time the latest Social Media Café again held at John Moores University’s art academy. @petemc launched his new project #rezz a kind of Google Street View gathering the breadth of humanity rather than buildings, @mcknut took us through the process of creating an iPhone app, this iPhone app gathering information about the Social Media Café, @donmcallister interviewed @leolaporte about his podcast network and @wimpyking interviewed @Documentally via Skype (pictured above) all of whom are terribly creative.

The latter, Christian Payne, made a good point which confirmed something I’ve always thought – that your username, if you have a username, is your online brand – that it represents you online. My first, in the late nineties, was groovejet42 which is basically meaningless apart from the Sophie Ellis-Bexter/Douglas Adams reference. After I named this blog however (for reasons I last explained in detail here) it seemed only natural that I should adopt the same name when I signed up to Metafilter and I’ve continued using it through discussion boards and social media apparatus since. It’s my twitter name.

That was more than apparent when I got back home tonight. Because tonight I rather did the kind of thing I usually do. I finished work at 7pm on Thursday, the event began at 6(ish) so I was running later. When I reached the building and entered through the big glass doors the first thing I noticed was how quiet it was. The next was the sound of my shoes across the wooden floor. Clop, clop, clop. Given that they’re Rockstorm "Revolt" Men's Slip On Casuals, or slippers with delusions of grandeur, this was a bit surprising. Down the stairs they clopped, across the floor of the echoey basement towards the lecture theatre too. Clop, clop, clop, bloody clop.

Knowing how nervous I was when I gave my talk the other month and now not wanting to interrupt whoever it was speaking, I decided the best thing for it would be to take advantage of the main selling point of the Rockstorm "Revolt" Men's Slip On Casuals and slipped them off so that could enter silently in my stocking feet. In I came through the doors only then remembering that the only way to approach the stadium seating from this angle was to walk the length of them from the side, out in front and then up the stairs. I breathed deeply and began the journey.

@petemc was at the front with a volunteer in the midst of a demonstration. The assembled crowd were talking amongst themselves. I smiled at a couple of people then grabbed a seat half way up the stairs on the end of the isle. Pete's demonstration continued. I put my shoes back on and that was that. Until some time late in the Everyman afterwards when it became apparent, after it was explained to me, that for all my chivalrous intent, I’d still managed to draw attention to myself. Because though I hadn’t made much noise I’d entered the hall carrying my shoes this not being something that could really be missed.

Returning home I find the following tweets waiting for me (edited below for retweeted content):

@amcewen: @feelinglistless creeps into @smcliv like a ninja (so @MethodDan says anyway :-)

@Defnetmedia: No shoes on either

@clairelsutton: A NINJA WITH NO SHOES!!!

And after I offered a two hundred and eighty character long version of this blog post:

@rosiebunny: I heard about this. Quite a fuss you caused.

Well at least I can do this:

17. Walk like a ninja.

I love @feelinglistless sometimes.

The List:
31. Given property advice by property expert Sarah Beeny.

Property Sarah Beeny gave a live chat to The Guardian earlier. I asked:


To which she replied:



31. Given property advice by property expert Sarah Beeny. (sort of)

The List:
45. Photograph printed in the local newspaper.

Clearly, I'm the only person in Liverpool to turn to this page and not look straight at the man in the Batman costume. I haven't seen the back of my head for a few months, and now it's been photographed twice in the same week by somebody else and mores to the point on the second occasion printed in the local newspaper. I'm the one in the white t-shirt. As you can see I had my hair cut in the intervening days.

45. Photograph printed in the local newspaper.

The List:
34. Attend a private view in a storm


Last Friday night I attended the private view for the photographers of Fab Collective's new exhibition at the roofless St Luke's Church, Having a do. As ever the imagery is of an extraordinarily high quality and gains extra atmosphere in this unusual setting. The Daily Post has a good preview which includes some of the photos on display.

As you can see from the photo, the party also happened in the middle of a rain storm, which accounts for why you can't really see Pete's photo in this now traditional shot of me and him gazing at his work. We couldn't quite decide how to stand under his umbrella. Time to knock another experience off the list:

34. Attend a private view in a storm

The List:
15. Dissed by Lily Allen on twitter

Life For the interested, these are the facts ...

Last night, Lily Allen was tweeting her unhappiness at the way Channel 4 were going after Zac Goldsmith, essentially saying some not very nice things about their journalism and how, to her, they're hounding one man rather than going after the lot of them.

Me being me, (ie) a fan, I decided to send her:
@lilyroseallen Have you seen the footage of Zac's father defending himself on The Money Programme in the 70s? bbc.co.uk/blogs/a...
She was being fairly heavily criticised at the time, and I assume she thought I was being sarcastic, which I wasn't and replied with:
@feelinglistless have you seen the footage of my dad in vindaloo ?
I replied, yes, and that I thought he was also very good as the Sheriff of Nottingham, and pointing out that I wasn't being sarcastic, suggesting that James Goldsmith's strategy was rather good since the journalists didn't know what to do outside of their comfort zone. She didn't get back, presumably because they got lost in the several hundred other replies she was probably getting.

There then followed a long discussion with @JoannaOC20 (who I don't know) about whether Lily was insulting me or not, a point on which we decided to agree to disagree. So I've assumed, that, for the purposes of the list (which I really should get around to writing down) and since it's as close as odds ...
15. Dissed by Lily Allen on twitter

The List:
8. Picture In An Exhibition.

Life In the middle of all the excitement last week, I received word that one of my photographs had been selected to appear in an exhibition for the Liverpool Echo's flickr group. The private view was this evening. Well private(ish). It's in the atrium at the Echo building, a huge glass and metal structure that resembles habitation areas in the underrated Michael Bay actioner The Island. Here is my picture as presented by the Echo's design team:



We were given badges to wear, which helped to identify who else was part of the group. Unlike Twitter, flickrers tend to use their own photos to identify themselves or other bits and bobs rather than their faces so there was less of the "Oh it's you factor" from simply regarding someone in the eye as happens at other web based gatherings like the Twestival. I still felt like a bit of a charlatan. The rest of the show is filled with amazing images of the city by people for whom this is a hobby and a love. I'm really just a happy snapper.



It is an unexpected pleasure to have a picture in an exhibition. Even though I know this blog is available for anyone to read, it feels less exposed than that photograph open to scrutiny by anyone passing through. I expect if you're a full time artist or photographer it's something you get used to very quickly. Like most people I do have a kind of imaginary list of things to do in life. Mine has two columns, the likely and the unlikely. It's always nice to be able to cross something off the unlikely column.