Showing posts with label the fourteenth doctor. Show all posts
Showing posts with label the fourteenth doctor. Show all posts

A Brief Note About Doctor Who's The Giggle.



TV  Evening.  As ever, this is not a review but I did have to say something after that spectacular finale of the 60th anniversary mini-series.  All three episodes have been superb, twisted versions of the alien invasion, base under siege and evil antagonist stories which have made up 95% of all Doctor Who since it began along with the "pure" historicals and Moffat loops.  Knowing that his strength isn't writing traditional multi-Doctor stories - which have become a bit old hat anyway really - RTD2 decided to offer up three brilliant examples of what Doctor Who can be, which is why he's one of the greatest writers this show and television in general has ever seen.

But of course Russell isn't afraid to also do something controversial and here we are with the bi-generation, his version of the multi-Doctor story in which the current incumbent gets to team up with the one will come after him, in this case the utterly beautiful Ncuti Gatwa, who himself is instantly the Doctor as well, the Mavic Chen ("with his masterplan") name-dropper.  The whole thing's turned on its head again, with the two of them totally in love with one another instead of being ridiculous chippy, different people with the same core being.  As the writer says on the commentary track, we've seen the regeneration as a negative enough times now.  Let's make it a happy occasion.

There'll probably be a number of reactions to this.  There'll be those who're cross because Ncuti didn't get the usual regeneration, popping out of the previous incumbent in the final moments of the episode, his first line "No way!" instead of some crack about his dental work or colour of his hair, sharing the limelight, a supporting player in the story of the Fourteenth Doctor.  That from now onwards, there'll be two contemporary Doctors, one parked on Earth, the other the protagonist going forward, the audience forever wondering why the Fourteenth Doctor doesn't step in the next time there's a global threat.  What happened during the Dalek occupations?  Hey?  Hey!?!

Firstly, I loved that this is how the Fifteenth's been introduced.  It's not unprecedented that current and future incarnations share the screen.  The finale of Deep Breath featured the Eleventh Doctor phoning forward to reassure Clara and the viewers that the angry Scots staggering about the street was still the same person (even if the rest of the season seemed designed to disabuse us of that).  The Watcher, an ambiguous manifestation of the Doctor's next incarnation followed Fourth around until the right moment and manifests in later regenerations elsewhere.  Think of it as the Pudsey Cutaway happening during The Parting of the Ways or something.  A taster of who's to come.

What about the idea that there will be two contemporary Doctors going forward existing simultaneously?  Well, there's already over a dozen incarnations swirling around one another in time and space, every now and then bumping into one another, in periods of dire emergencies or in the case of some comics licensees because it's a publication day.  Ncuti is still the same "Time Lord" going forward with all of the Fourteenth Doctor's memories if not the emotional baggage.  |It's just that there's another one branched off, enjoying a well earned retirement buzzing away now and then for a mini-adventure but otherwise happy to put his feet up and leave the running to his older self.

In the commentary for the episode, Russell suggests that because of the events at the close of this episode, every regeneration is now a bi-generation, with each incarnation finding themselves whole again in the spot where they originally made the change, their future selves having already headed off into new adventures, their own TARDIS nearby.  Which apart from making a whole bunch of spin-off stories much easier to place (the First Doctor's adventures with John and Gillian Who clearly happening after The Tenth Planet or not having to cram Season 6B in before Spearhead from Space), explains a lot of what Tales from the TARDIS was about.

Russell says that his aim is to loosen up some of the canonical rules (perhaps with an eye to giving the spin-offs more flexibility).  The Doctor's life is a series of branches with the Eighth Doctor awakening on Karn not long after the War Doctor's plunged into the fire, much to the surprise of the sisterhood.  Having sworn them to secrecy, still knowing that the universe needs to think that he's strayed to the dark side, dusts himself off and heads back into time, helping where he can, perhaps pretending to be his pre-regenerative self until such time that he get back to saving the universe on his own terms.  Corridors of new narrative possibilities have been opened up.  

What if, for example, it's the Fourteenth Doctor who becomes the Curator?  That would explain why he's so mysterious when encountering his younger selves, consolidating the person he is rather than moving forward.  He's still a "Time Lord" so he'll still regenerate when necessary, but instead of turning into a Ncuti clone, he continues to revisit some of the old faces, largely staying in one place and time but lending a hand as a mentor when necessary.  When Donna begins her job at UNIT, perhaps he decides to become a Curator of UNIT's Black Archive, a place which, like the TVA in Loki, exists outside of time.  But I've strayed off topic.

The point is, don't think about any of this too much.  The Doctor wasn't around for Torchwood's Miracle Day (or Children of Earth), just as what's left of the current version of that team aren't shown during The Giggle (they're probably off somewhere killing each other).  So the Fourteenth Doctor isn't helping the Fifteenth Doctor at every global catastrophe going forward because XYZ is happening off screen and don't worry about it, that's for future spin-off writers to cope with.  Sometimes you just do what's right for the story you're currently telling and in this case, the story was told very well.  Sorry, that turned into a bit of a review there.  Must keep an eye on that.

Additional:  Having slept on this, I think RTD views Doctor Who in epochal narrative terms, that everything which has happened up until this point rests on the Fourteenth Doctor's shoulders and we're now in the second Disney epoch with Ncuti, that Tennant represents the end of the a 60 year story arc begun in An Unearthly Child and Ncuti begins another, offering a jumping on point akin to when he first brought the show back.  This kind of intellectual jiggery-pokery is for fans really - most people'll just view it as this really cool thing that happened - but you can bet if the television show's ever rested again, there'll be whole PDAs covering the First Fourteen (or so) Doctor's self inflicted exile on Earth.

Doctor Who Children in Need Special 2023.


TV  Hello and here we are, the first four minutes and fifty seconds of proper television Doctor Who in over a year, a tiny hors d'oeuvre before the three-course meal soon to be delivered later in the month.  As such it comes with a weight of expectation that anyone would find difficult to carry no matter how many manual handling courses they've used as an excuse to get out of a day's work and still be paid.  Like its predecessor the Pudsey Cutaway, it's the first chance (ish) (we'll get to that) to see this new incarnation of the Doctor in action and how different he is from his predecessors, both the"really brilliant woman" and "the old face he's got back again".  Not to mention whether he'll be wandering about in a post-regenerative torpor mumbling about P'Tings and wondering how Nardol is doing.

When the Pudsey Cutaway was broadcast back in (Christ!) 2005 (yes, that's right, Pudsey Cutaway, don't come round here with your Born Again), it was preceded by then-husband and wife team Peter Andre and Katie Price singing an excruciating cover of A Whole New World, or the thing I had to keep fast-forwarding through when watching my off-air copy (something which we still had to do even after the commercial release in region 2, when they accidentally included the rough cut with its lack of cloister bell and temp music).  This was not apparently corrected for subsequent Blu-ray releases in the UK.  Hopefully, they will have gotten around to it with the new-new-release with the newest attempt at upscaling the 00s SD.  I'll report back. 

My point is, that Russell T Davies the Second wasn't going to make this appetiser too filling and given that this is a Children in Need "sketch" create something which has to fit within the comedy-tragedy-appeal- comedy-tragedy-appeal-music-tragedy-appeal structure.  No one wants a downer.  In the event, the TARDIS landed in the studio with Jason Manford and Mel Giedroyc departing dressed as Tooth and Curls and Sheffield Steel.  Mercifully they didn't sing, the former dropping a bunch of placeholder jokes about 2063 instead.  Could have been worse.  Even Time Crash had Myleene ‘full of’ Klass and John ‘full of’ Barrowman with a cover of Your Song (which has also been archived on YouTube).  Mercifully, the commercial release of the one with the decorative vegetable didn't have any problems.

Doctor Who Children in Need Special 2023 as the iPlayer has titled it (so mote it be) fulfils its anniversary promise and takes us back to a crucial moment in Doctor Who history, the Genesis of the Daleks or rather, the Genesis of the Plunger, which is just the sort of cheekiness we've not really seen since Moffat left.  Davros, played superbly straight by a returning Julian Beech wearing an authentic Kaleds' Military Elite uniform surveying his new creation and chatting with a Mr Nominative Determanism, sorry, Mr Castervillian about what to call the thing (but let us not fetishise the space Nazis too much, we'll leave that to Star Wars fans, who curiously haven't adopted a collective name like Warsian or whatever).

As the flunky, Mawaan Rizwan catches the tone just right and we'll probably appreciate his role a lot more on the hundredth viewing but many viewers on first seeing this will have spent his opening two and a half minutes wondering where the Doctor is.  Then the TARDIS crashes into the back of the set, the door bursts open and who should blunder out, David Tennant as the Fourteenth Doctor with a minute or so's hijinks backed by a curious musak jazz soundtrack which sounds like something from an 80s sketch show joke montage.  So far there's not much to say on the personality front.  From what we see here, and much like the "degenerative" process in Big Finish's anniversary festival Once and Future, the sense of self comes with the face and so we have the Tenth Doctor looking a couple of decades older.

Fourteenth says on realising he's giving the pepperpots both their name and catchphrase, "the timelines of canon are rupturing" and they certainly are.  As the boss explains in Confidential's replacement Unleashed, Davros, as he's been depicted over the past fifty years, is immensely problematic in 2023 and he couldn't in all conscience show a wheelchair user as a villain, especially on Children In Need and so this is how Davros will appear going forward.  Which honestly is quite right, especially if you're a child who is a wheelchair user and might have to deal with the discriminatory fallout and I'm embarrassed myself that I'd never considered that before.  But in keeping Beech as the character, continuity is maintained.

How does this square with previous fictional depictions?  Well, because everyone has wanted to have a crack at writing the creator of the Daleks, Davros's origin story on the TARDIS Wiki page is a mess anyway and it's entirely possible that due to Amy's Crack, the Faction Paradox or the Time War in general, the creation myth of the Daleks is in constant flux and the Doctor's just stumbled into yet another iteration of however it's supposed to have happened.  History's changed so that Davros never had the accident and in this iteration of the timeline it's this space Gru and his army of murderous minions, part of the military rather than science elite (hence the uniform) with whom the Fourth Doctor did battle.  In Dr Who, everything and nothing is canonical really.  No Lucasfilm Story Group for us.

Casuals might wonder why, unlike the Pudsey Cutaway, we're not seeing the moments directly after the regeneration on the cliff.  Apart from not wanting to attract the ire of the Durdle Door people again (the location of the cliff in Dorset was photographed without Cardiff telling the owners it was for the regeneration scene which led to fears that Whovians might fall off the edge like lemmings), RTD2's also left room for the adventure which has played out in the parish circular's comic strip for the past fourteenth months.  I won't completely spoil the immensely fun Liberation of the Daleks in case you're waiting for the graphic novel but it ends with the Doctor fearing that the malfunctioning TARDIS might return him to Skaro.  And here he is, looking a bit knackered after all of those shenanigans. 

As a bonus, the iPlayer also contains a preview of Confidential's replacement, Unleashed, presented by the effervescent Steffan Powell meandering around the set, nabbing people for a chat and giving proceedings a bit more personality than the old B-roll with Simon Pegg voiceover.  But these are still intercut with old school producer interviews during which it's revealed by Vicki Delow that this was all shot a whole year after the specials, with David Tennant (presumably unexpectedly) playing the Fourteenth Doctor again and the interview with Russell in which he explains the change to Davros's character mentioned above.  After the relative BTS drought of the past few years, it's fun seeing Barnaby Edwards crouched inside the Dalek casing again explaining how he wiggles the weapons.

Where does this leave us?  With five minutes of fun, something to entice kids to watch Genesis of the Daleks on the iPlayer and keep us going for another week and a day.  With due respect to Mr Chibnall for keeping all of this on-air even during the pandemic, ever since Mr Davies has returned, there's been a general feeling of "we're back", of there being excitement around the series again, from the revitalised Doctor Who Magazine, to most of Doctor Who turning up on the iPlayer (which feels like would have happened even if this wasn't an anniversary year) to this Doctor Who Children in Need Special 2023 which exists purely because Russell T Davies decided that they traditionally make something for Children in Need and so here we are.  Roll on the 25th of November.

“Life depends on change, and renewal.”

 TV  Evening all.  Scott Bryan is a TV critic and broadcaster and if you don't already follow his twitter feed, you really should.  If there's an entertainment story brewing, especially about UK TV he'll be waaay ahead of most sources, even our lord Lizo Mzimba.  At just before noon today he posted this for those of us who avoid Instagram because we're too old to understand it:

Frankly initially, I didn't understand that either.  Who was @ncutigatwa and what did this code mean?  But that's how the new Doctor was announced, via emojis two hearts and a blue box on the actor's Instagram page.  Welcome to 2022, where the news goes first to the people that matter with the kind of cryptic messaging beloved of hard core Swifties.

We have been delivered of a new Doctor who is Ncuti Gatwa, best known for Netflix's Sex Education, which I have not seen but all of the people who's opinion I admire indicate is excellent and he's excellent within.  This is one of the images the official website ran to publicise the announcement, taken (I think) just before tonight's red carpet at the Baftas:


Amazing.

Lizo interviewed him and RTD2 on that red carpet:

Firstly, who's the new Ken Campbell?  Next of all, it's refreshing to have a showrunner who seems genuinely excited to be in the role again and wants to be right in the thick of publicity, so much so that it's through him that we know Jodie's send off will be 90mins long and broadcast in October (Halloween weekend perhaps?).

My only brush with Gatwa is in the absolutely fine The Last Letter from Your Lover as Felicity Jones's friend from the magazine office and although he doesn't have much to do other than be squeezed next to her in a meeting, he plays his discomfort very well.  I also like his round glasses.  Perhaps they'll use those in the new series, although they do dampen his dynamism a bit.

But that's all to the good.  My first though was that it means that unlike some previous Doctors I'll be able watch his interpretation fresh and without any preconceived notions.  But even when Jodie, Peter C, Matt, David and Chris were announced we won't really know how they were going to interpret the role and it's the same for Ncuti.

[Quick sidebar:  Above, I've linked to the posts where I write about the announcements for all of the most recent Doctors but I can't find anything for Chris.  There was a time I barely mentioned Doctor Who on this blog and the return of a show I'd been a fan of for at least five years didn't seem to be worth a mention.  It's been a weird journey.]

Will there be a whole series as well as a 50th anniversary special in 2023?  The announcement of a new Doctor usually coincides with the start of production and it would be strange if they begin filming something which won't be seen until for eighteen months now and then a bunch of episodes for 2024?  The press releases say:

"Russell T Davies will make an explosive return to screens to celebrate the 60th Anniversary of Doctor Who in 2023, and series beyond."

Which has a little bit of wiggle room - "celebrate the 60th anniversary of Doctor Who" needn't mean "with a single episode in November".  Wouldn't a whole new series also be a celebration?

Just so long as they don't change the logo.