Film Heavily abbreviated list this week (and a bit back catalogue at that) because I've been catching up on Veronica Mars, The Honorable Woman (which is storming towards a pretty marvellous conclusion), Extant (which frustrates beyond measure) and the European Athletics Championship which is a potent enough drop of methadone after coming down from the Commonwealth Games. The clear highlight's been the mascot, Cooly, far more visible on screen than usual, and the commentators reaction to his existence. Their befuddlement at his or her sheer energy and athletics skills clearly has them wondering just who is behind the mask, though after this monumental bit of hurdling the other day, they probably know full well.
It Rains On Our Love
Bright Young Things
John Dies At The End
The 6th Day
Some people don't like Bright Young Things. The machinations of "society" people are an acquired taste. Bbut I think Stephen Fry works hard to magnify the satire in Waugh's book (not that I've read Vile Bodies) but also to make the characters sympathetic enough that we understand that there was just as much human wreckage at the top of the society as to the bottom, especially at this nexus point in history between the two wars when many such families lost everything. I was interested to hear on the commentary that Waugh set his book in the future ending it in a world war. So many other narratives seem to suggest it wasn't inevitable, that we had seen the war to end all wars.
The other reason to watch, especially if you're of a certain disposition, is that it's simply easier to list the people who haven't been in Doctor Who. Tennant's in there of course and Fenella Woolgar plays a character called Agatha for goodness sake. At a certain point in this rewatch I joked that Mark Gatiss would probably wander through, not suspecting for a minute that he'd actually turn up about ten minutes later. It was the screen debut Stephen Campbell Moore and he's remarkable and if we had a proper film industry would have gone on to bright young things himself. Unfortunately for him Toby Stephens exists in the world and probably snaffled what could have been some his perfect roles.
John Dies At The End is fine, but you can see that something as mega as Guardians is just at the edges if only the filmmakers had been working with a massive budget rather than the coppers which led to whole sequences being played out against green screen and cgi settings less convincing than early period Wing Commander or Red Alert cut scenes. Bits of it are fabulous, and there are dozens of interesting ideas and some funny jokes not least in relation to Paul Giamatti but there's an incoherence which doesn't quite work in its favour. Comic films are always less funny when the action is undermotivated or the storyline poorly explained which is odd in this case when you consider how much of it is narrated.
The 6th Day was genuinely simply a round to it; for a while Columbia/TriStar dvds (I think) had the same advertising booklet within and this was about the only film on it I hadn't seen. It's about what I expected, Arnold thrown into a sci-fi concept (cf, Total Recall) and dealing with the consequences. Apart from the way it dancing around the fringes of "Religion good! Science bad!" without quite committing to either, is how back in 2000, there was no concept of a future with tablet computers (despite the preponderance of PADD on Star Trek: The Next Generation) and their lack is strange, especially in the remote control helicopter sequences which seem bizarrely antiquated now.