There is also a good deal of movement, lots of swirling of cameras and characters. Was that to represent her metamorphosis?After watching the credit sequence again, I want to watch the whole series again. Oh to have the time to have a time.
Scott: When Claire was cast, she wasn’t an experienced actress, so she didn’t know how to hit her mark or stand still while we were shooting. They wanted me to stop her from doing that and I said, “No, I actually want to embrace this.” So we worked around Claire.
If you look at that image of her silhouetted in the street with Brian Krakow, under the trees, I waited to get to that moment because I knew Claire would spin on her toes and spin her purse behind her and it would make a great silhouette. Television allows us to adapt not only to the story but the actors themselves.
TV The Art of the Title finally reaches the credit sequence for My So-Called Life, of the best uses of montage in titles and theme song. They interview director Scott Winant and title designer Kathie Broyles and reveal a titbit about what Claire Danes was like as an actress at this point: