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The Truth of Peladon (Peladon)
Audio Ah Peladon! One time allegory for the UK flirting with the Common Market now in this new boxed set a thematic soup about the exploitation of a country's wealth while the ruling classes stand idly by and watch it happen, and specifically the effects it has on the local water supply. As is mentioned in the extras, despite only appearing in two stories on screen, Peladon has evoked a curiosity from fans, I think partly because it has the Doctor visit a planet other than Earth on a couple of occasions and offers window on its generational changes.
It's that idea these four stories exploit as we see Peladon at various points in its history, between the two television stories, then at three other undated points in its future history with River Song, then Sixy and Doctor Number Eigth making gradual then huge inroads in turning the planet from an absolute monarchy towards socialism, with the various Time Lords gradually becoming wary of the Royal chamber and more interested in what's happening on the fringes of Pel society, the parts which largely go undepicted in the Curse and the Monster.
Of the first three stories, The Poison of Peladon is probably the easily consumed due to the stunning decision to give River and Alpha Centuri the on-audio pairing we didn't know we needed but should now be very pleased that we have. Alpha's a far stronger character here than on screen, and River becomes very protective of her during this hour, rightly correcting others on their pronouns. The Ordeal of Peladon is perhaps an attempt at what a Peladon series might look like without a Time Lord present and The Death of Peladon shows how far the Doctor has shifted from the man who bowed to royalty on TV.
The Truth of Peladon
But it's the final episode which makes the boxed set essential, with an Eighth Doctor classic by Tim Foley. The Doctor introduces himself to the seamstress, Arla Decanto, who will be making the cloak for an upcoming coronation, wins her confidence, shatters it, then wins it back using a Dickensian approach of showing the three tiers of Peladon society we've already witnessed in the previous three stories which are also subtly part of her own past, present and potential future. Meera Syal's multi-layered performance as Decanto also takes us on a journey through the various layers of apathy and self-delusion through which the seamstress has justified her own actions or indeed inactions.
The big narrative swing is that Eighth comes and goes in her story. We're offered hints of the Time Lord's wider plans along the way, with behaviour not unlike the Scottish manipulator who came before. He has friends and collaborators but their participation is largely only hinted at. It's refreshing to "see" what it's like when the Doctor liberates a people from the point of view of someone who's right at the heart of the problem and part of the solution. This is aided by Jason Watkins as the villainous Peladonian Chancellor, a man fooled into thinking he can gain his planet's independence by inviting another in as an "ally" who just wants to take control.
Placement: The cover suggests that this story takes place during the “Dark Eyes” era of the Eighth Doctor, but there is no clear gap for it. Since Time Lord Victorious has him in his Time War outfit, I’m placing this just before Echoes of Extinction, assuming that there are other stories in between that explain his change of appearance.
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If I Should Die Before I Wake (Classic Doctors, New Monsters: The Stuff of Nightmares)
Audio Marvellous, just marvellous, as good as an Eighth and Charley has ever been. John Dorney's script (from a story by Jac Rayner) runs with Big Finish current tagline "for the love of stories" as the cue for a meditation on myths, narrative structure and the connection between dreams and imagination. The Doctor's reading a series of Greek myths to Charley which she's apparently experiencing in the first person and frustrates him by giving her "character" easy ways to survive. But there are other random elements in the console room and it slowly becomes apparent that the Dream Crabs from TV's Last Christmas have their claws into one or both of them.
As I said about The End of the Beginning recently, it's incredible that after all these years as soon as Paul and India are interacting with one another again, twenty odd years disappear from both their voices and we're right back in that first exciting week when most of the first series was recorded and the chemistry between them returns. In the extras, both are clearly delighted to be working together again, albeit in lockdown in bedrooms and cupboards unable to even see each other. There's an electricity which you just don't get when one or the other isn't present (although to be fair that was the case for large sections of the 8th+Lucie stories and I didn't notice.
Although he's not mentioned, I wonder how much of this was influenced by Lionel Fanthorpe. Although I knew him best for Fortean TV back in the 90s, my science fiction writing tutor spoke warmly of his many hundreds of novels in which he'd often write an abrupt ending because he'd reached his word count, "one leap and he was free". That's often how Doctor Who stories end, plenty of build up then a quick squeeze of the sonic screwdriver or whatever. Fanthorpe also incorporated ancient mythology including Greece into his stories as he crafted a novel based on a cover which had already been selected, kind of like the "shopping lists" which Who writers often have to work from.
It's also a companion piece to Rob Shearman's Scherzo, which was also a two hander and which also featured a fair amount of body horror. Like that story the Doctor and Charley are trying to escape a place were the laws of time and reality no longer exist but whereas there they had to overcome a fractured friendship, here its their closeness which is almost their undoing. Although the Doctor becomes increasingly frustrated with Charley's attempts at preserving her own life, for various reasons, its so that she can save him. In Scherzo, they were forced into working together as their bodies literally began to merge.
Placement: After Solitaire.
Bounty (Earth and Beyond)
One Fateful Knight (Short Trips: The Quality of Leadership)
Prose In his introduction, anthology editor Keith R A Candido offers some amazement at the names he's been able to coax into writing their first Doctor Who stories for his book. One Fateful Knight written by Peter Freaking David, who's writing has touched on almost all of the major and minor franchises across comics and novels, not to mention his own IP. In his single (so far) entry for the Whoniverse, David (presumably on the assumption it would be his only chance) decides to do nothing less than provide a prequel and sequel to Battlefield, attempting to explain the references to the Doctor being Merlin.
From Little Acorns/Epilogue (Short Trips: The Quality of Leadership)
Prose The Quality of Leadership's theme is baked into the title, the Time Lord interacts with numerous heads of state in his various incarnations. From Little Acorns and the Epilogue offer a framing device in which Eighth, having successfully helped the rightful heir to the throne fight off a coup, spends and even recounting these tales in order to offer some insight into successful governance and bolster a new King who is unsure of his experience or talent. In the epilogue he returns to see how the premiership went and if his guidance helped as we discover that to some extent the Doctor is salving his own conscience having somewhat failed in similar efforts before. Eighth gets a few rare sonic screwdriver moments in here and after recently reading so many small scale stories recently, it's fun to have something on a more epic scale with higher stakes.
Placement: As with so many of these Short Trips, early. But not as early as the other story in this anthology.
The End (Life Sciences)
Prose As the title suggest, this is supposed to portray the Eighth Doctor sensing the end of his current incarnation and thinking about unfinished business and legacy. Along with some fellow time travellers, he's set up a kind of waystation out of time in the event horizon of a black hole, where they can meet, exchange ideas and feel a kinship, the Doctor motivated by his estrangement from the other Time Lords. As you might expect, it does not go well. Although this was written in 2004, this version of Eighth feels akin to the broken mess who bothered River and Bernice in The Legacy of Time's Lies in Ruins and the "future" version we heard in the Mary Shelley portion of A Company of Friends (if slightly more coherent), the living embodiment of chronological existentialism.
Jonah (Life Sciences).
Prose Who knows (other than the author) how the Doctor stumbles into stories like this? Did he just happen to be in the area and stumble upon young Jonah randomly or was he already on the trail of some medical malfeasance? Either way, this the kind of "low key" adventure about the Doctor taking an "ethical and moral" stand and choosing to save one life over another even though, given that he has access to "all of time and space, everywhere and anywhere, every star that ever was" he could probably find a way to medically save both (justice for Abigail). Of course, if the Doctor would be breaking some kind of temporal prime directive if he went around curing all diseases, but at least he'd be living up to his name. A framing device tries to explain his choice is justified but there's still something inherently unDoctorish about his solution.
Syntax (Short Trips: Life Sciences)
Prose Another "with Izzy" exploit from David Bailey and like his later Illumination from Christmas Around The World, he captures this particular Doctor/companion relationship perfectly. There's a moment when Izzy recounts one of the Doctor's lectures back to him and you can imagine a couple of frames in the comic in which the speech bubble almost crowds out her head. The story itself, about a sentient pheromone which enslaves the population of a planet would work as a two or three part strip with plenty of scope for outlandish artwork, especially when Izzy is under the influence of the atmosphere. Unless something changes, this will be last of the stories I'll be reading featuring this most important of characters and I'm really going to miss her adventures. I'll certainly be having another look at the comics once I'm all caught up with the Eighth Doctor's other adventures.
Placement: Tucked in between TV Action! and Illumination.
DS Al Fine (Time Signature)
Second Contact (Time Signature)
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Companion (Short Trips: Christmas Around the World)
Venus (Short Trips: The Solar System)
Far From Home (Short Trips: Past Tense)
Prose Some of the themes in Big Finish's anthologies are looser than others. Past Tense collects short stories which are all set in Earth's past, which is a handy way of putting together disparate ideas from a range of writers. Alison Lawson's piece has the Doctor follow a distress call to rural Wales in 1928 in the hopes of averting an early Roswell incident. It's presented mostly from the point of view two local schoolboys and has the atmosphere of an Enid Blyton novel or or a 1980s schools literacy programme (some of the grizzlier material would have almost certainly be granted a section in Scarred For Life) as they encounter numerous male authority figures while they truant from school to help the Time Lord in his mission.
Placement: Feels like an early "life's champion" tale in the period when he's making up for past mistakes, so let's put it arbitrarily pre-Dying Days.
The End of the Beginning (The Main Range)
Bringing the range full circle, The End of the Beginning follows the structure of the first release, with the Eighth Doctor rather than Seventh in the third part of the anthology. But whereas The Sirens of Time was about trying to be as authentic to the television counterparts as possible, this is about commemorating and enunciating how far the range had developed in the intervening decades, of having taken the licence and created a legacy of stories of a quality which far exceeds their visual precursors.
The Fifth Doctor and Turlough were the stars of Big Finish's second release Phantasmagoria so its fitting that they should return together here after creating their own mini season of about four or five stories across the years. The Sixth Doctor story highlights how that incarnation has been reimagined in the audios with bold new eras and a range of companions who simply wouldn't have existed on television, Constance and Flip in this case (although Lisa "Flip" Greenwood is absent for health reasons).
The Eighth Doctor's era couldn't be represented by anyone other than Charley, his main range companion and where it all began (on audio). Presumably recorded around the time of Charlotte Pollard: The Further Adventuress (yes, yes, I'll get to it), I'm in awe at how Paul McGann keeps track of the different tones he and the creators have brought to this same incarnation between the early releases through to the Time War.
We're in Vampire Science territory as the eighth Doctor's stopped off to check in with an undead frenemy from an unseen adventure, a vampire taking the slow way through London who the Time Lord presumably stopped from killing back in the day. There's another vampire on the loose and together they head off into the metropolis in a bid to stop the fledgling from killing and eating or turning half the population of the city.
Its at the end of all this we discover how this Doctor's story is connected to the others and how he'll meet his other selves in preparations to uncover the final mystery, with a clever reversal, a homage to The Day of the Doctor (surely?) and an explanation as to why the Seventh Doctor's largely been absent (is the cover art supposed to imply that we're finally discovering what one of the visual elements of his title sequence actually is?).
The four Doctors and companions apparently recorded their sections separately, not that you'd know it with a hilarious moment (intentional? unintentional?) where Charley and Constance are introduced and don't seem to have anything to say to each other, and the Sixth Doctor knows who the former is but can't work out why (which means we're post their travels together). Does this mean she already recognises him at the start of The Condemned? That would explain how she's not completely banjaxed by him.
It's all very well written by Robert Valentine, a relative newcomer to Big Finish (the TARDIS Datacore has him listed as being active since 2020) he nevertheless captures the Eighth and Charley's voices perfectly (as he does everyone across the episodes) and although the final solution at the resolution is pretty basic multi-Doctor fare, there are some neat reversals in the run up which take advantage of audio and how one of the audience's senses is of no help whatsoever.
Placement: This feels like late era 8+C, entirely comfortable in each other's presence, the Doctor happy to let Charley wander off into late 90s London on her own, safe in the knowledge that she won't get herself into trouble (even though she undoubtedly will). It's probably set some time between Embrace the Darkness and The Time of the Daleks; you can imagine this being the next adventure after Living Legend or Solitaire.
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Cass.
Despite a couple of references in the dialogue we don't really receive an answer and its clear by the end that there are more stories to tell, probably with Cass 2, 3 & 4 in the production pipeline (which is why Big Finish have gone with a new title rather than simple called it The Time War Volume 5) (apart from when they do in the credits at the end of each episode) (I'll update the title of this post if necessary). Will it be as simple as retconning The Time of the Doctor, so that he knows full well who Emma Campbell-Jones's Cass is even if she doesn't recognise him and he's pretending (which puts a new spin one her rejecting him outright). Rule One: The Doctor Lies. When he has to.
Meanwhile, Elsewhere
With very little to work from other than Time of the Doctor and the novelisation of Day of the Doctor (with which this is broadly consistent) Cass is the type of female friend the Eighth Doctor tends to swan through the universe with; independent, capable and well prepared to call him out when he's clearly bullshitting. But it doesn't feel perfunctory when she's invited onto the TARDIS at the end - she fits right into the time paradox shenanigans. The theme of the boxset seems to be stories which have resolved themselves before they've begun and I'll admit this took me two listens to really follow what happens and how. The loquacious Hieronyma Friend feels like she was originally written to be River Song. Perhaps Alex (Kingston not Campbell) was unavailable.
Vespertine
A never meet your heroes tale with a twist. Once again, this took me a couple of goes to completely follow the action either because my inevitable cellular decay means I'm slower on the uptake than I used to be or jointless time is difficult to convey on audio where its difficult to have diagrams (or both). It was a pleasure to go round again though. The three leads have an easy chemistry especially Emma, and Sonny McGann who in the ten years since his last appearance has become a fine actor and the writers of these stories have really leaned into the enthusiasm for adventure this version of the Doctor's great-grandson has, every now and then even sounding like the younger version of his father who debut in these audios twenty years ago ("TARDIS manual, TARDIS manual ...").
Previously, Next Time
The inevitable Dalek story, although they're used in a much subtler way than in the previous Time War stories and although their plan has the ring of one of those earlier jargon soups, this looks at the effects of the scheme on a more human level, the Doctor faced with an impossible choice morally but not logically, of whether to wipe out an entire civilisation, no doubt foreshadowing the adventures of his successor. I am slightly confused as to whether the effects of this retcon bomb's are only felt on this planet, the whole Whoniverse (explaining the incongruities in the Doctor's memory in the previous stories) or if there's some larger mystery which is yet to be explored.