"Last week, Spooky projected the film onto a large screen, adding layers of visual effects. An image of a fully robed Klansman underlay the scene depicting the South's surrender at the end of the war. An image of a young Southern woman looking at cotton cloth for a dress was followed by an image of slaves picking the cotton. Spooky also added material, such as images of a dance performance inspired by Southern history. And the soundtrack was of course his creation, a mix that ranged from a rendition of "Dixieland" to the type of beat-driven music one would hear in a club."Not sure if this will be the next big thing. More than music, film has a narrative flow, the disruption of which tends to negate the whole point of making it in the first place. We'll see.
Film The issue of remixing other director's film work hasn't really been explored. Most studios essentially remix what the director wants before a film is released anyway. Much of anything else happens underground. The Phantom Edit was a good example, and here is another as the creatively named Spooky remixes WG Griffith's Birth of a Nation:
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