"This year has seen a bit of a sea change in the way music is offered and distributed to the public, and Rage’s victory shows that clearly. It was not available to buy in the shops, and had not been re-released by Sony. It was a song that went to number one because people wanted it there, and the fact that it has made it the top slot today could send marketing departments in record companies worldwide into a panicked spin. What do you do if your carefully concieved, hideously expensive campaign to push the next big thing to the top of the charts gets shoved aside because some scrote with a Facebook campaign decides it’s time Mr. Blobby made a comeback?"Only to add that the irony of both acts being at Sony meant nothing to me. What better way was there to show Sony the error of their ways than to present to them one of their own, more authentic acts? Meanwhile, PopJustice apologises for their very existence.
it’s time Mr. Blobby made a comeback
Music I was going to write the usual pop cultural two thousand words on Rage Against The Machine, but luckily Rob has said almost everything instead, so I needn't bother:
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