Hadley Freeman on Love Actually.

Film After a slightly confused (slightly?) column about trans identity at the weekend (see this Twitter thread for key objections), Hadley Freeman's back re-iterating many of the same points from my old Love Actually post (which is here in case you haven't read it):
"My best friend and I went to see it on the day it opened, excited as babes on Christmas Day. We loved Notting Hill, and we adored Four Weddings and a Funeral, and sure, they were basically odes to the Oxbridge-educated, but they had charm and clever scripts. And those movies only had one plot line – this new one had nine! That meant it would be nine times as awesome, right? Wrong. We emerged from the cinema with faces frozen like Munch’s Scream, and silently went our separate ways. We called each other later to check in on one another, like victims of a terrible disaster."
Unlike Hadley I actually liked Love Actually at first. Saw it twice at the cinema, asked for the dvd at Christmas (etc etc) and it wasn't until I studied it for the dissertation I noticed how disdainful it is. Let's see if the Comic Relief sequel acts as a corrective.

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