"Another, perhaps less important reason why producers draw less attention is that because a film often has several producers. It’s more complicated to assign responsibility for who did what. Most people have a general idea of what directors do. They’re on set, they make decisions, and they supervise other artists. A female producer, like a male one, may have been included for many reasons. She might have done most of the work in assembling the main cast or crew members or she might have concentrated on gaining financial support. She might instead be termed a producer as a reward for crucial support at one juncture. We can’t know, and that perhaps makes it difficult for the public to get enthusiastic about producers. Of course, if journalists covered them more in the entertainment press, the public might gain more of a sense of what producers do."Thompson then offers some important work by listing exactly who the women are that have been nominated in the best picture category at Oscars over the years, noting when history was made even if it wasn't recorded or highlighted at the time. Not until 1982 did a female producer receive an Academy Award nomination, which was Kathleen Kennedy.
Producing Women.
Film Film historian Kirsten Thompson reveals how by not including exactly who the producers are when awards shows list the Best Picture category, they're hiding the contribution of women within the filmmaking process:
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