"For much of its life television was an ephemeral media."

TV   Yet another creator reacts to their work being trashed by HBO Max.  Two whole completed seasons of Young Ellen will not now be seen by the public and the rest of its been pulled by the service.  What's so interesting to me, apart from the fact that Ellen Degeneres only spoke once and briefly to the showrunner of a cartoon about the talk show host's own childhood, is how technological development has changed the expectations of creators and viewers.

For much of its life television was an ephemeral media.  Creators would work for months or years on a project which would be seen only once, perhaps twice and then either wiped or disappear into a vault.  If a viewer wasn't there to watch when it was broadcast, it was gone and even if you were lucky enough to see whatever it was, it only then existed in your hazy memory.

It wasn't until new agreements were made with various creative unions did the programmes become viable again, either for repeat or release on the consumable of your choice and even then only when it was considered commercially viable.  There are hundreds of thousands of hours of television which are still inaccessible and although this has changed somewhat at the BBC for people at educational institutions, for the general public, nothing much has changed (legally at least).

But if you've lived in a world were the media which is important to you has always been just there both as a creator and viewer, this ephemerality feels like a pretty alien concept not least because unlike the days when the first time you'd read about a new drama was in the Radio Times a week before transmission, we're constantly bombarded with pre-publicity for these shows for months in advance.

None of which should be seen as McMillaneaque rant about how some of us have misplaced sense of entitlement.  There's every right to be outraged because the expectation has been put in place, because the technology now exists and if you're paying for a service on the expectation that what was once promised will be delivered, especially in the advertising, you're entitled to ask questions.

Nevertheless, it's still worth stopping now and then to glance at where we were then and where we are now.  Of course in an ideal world, the streaming of films and television would be treated the same way as music and everything would be available on a single service for a single fee with film and television studios leaving the technology for others to deal with.  But that's another discussion.

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