Review 2023: A Review of 2023: June.
Review 2023: A Review of 2023: May.
Review 2023: A Review of 2023: April
01 The Guardian forgets April Fool's Day, does this instead.
The Crowd (Doom's Day)
Audio Doom's Day was this year's multi-licensee story told across prose, games, comics and audios about a time travelling assassin literally being chased by Death itself after a hit gone wrong, taking every hourly job across a whole day searching for a particular incarnation of the Doctor who may have some answers and could save her life. Unlike Time Lord Victorious with its multi-stranded narrative, Doom's Day has 24 discrete "episodes" and were generally released in chronological order over the summer, topped and tailed by an arching story on the DoctorWho.tv website (more information here).
It's immense fun. It takes time to get a handle on Doom's character because the first quarter of her story is told through shorter comic strips in DWM and a couple of Titan Comics which use Missy as the focus. But once the longer form storytelling kicks in through the novel, the audiobook and then the Big Finish plays and Sooz Kempner's vibrant performance in the title role, we're more clearly able to understand the irony of her chasing after a figure who would completely repudiate her chosen profession.
Which is exactly what happens when Doom runs into the Doctor and Charley in the penultimate hour. She stumbles into their mission to preserve causality from The Crowd, a race of intergalactic tourists who, rather like the miscreants in Gary Kilworth's Let's Go to Golgotha, visit scenes of death and destruction for kicks and having exhausted the usual venues are now creating disasters and have it in for Thomas Becket and Canterbury. What follows in Lizzy Hopley's script are the usual hijinks intermixed with heated discussions concerning the time traveller's morality and methods.
The Crowd is the most Doctor-centric story of the whole series and Paul's clearly in his element with all of this, bringing out the Doctor's darker side from later in the Big Finish timeline especially when Charley's not around for various reasons. But India is also loving playing up to the Edwardian's similar dismissal; over the years Charley's offered a diplomatically light touch even against the darkest of foes, but Doom really rubs her up the wrong way and the feeling's mutual, the assassin referring to her a Pollard throughout.
The Eighth |Doctor at his most hard line, even authoritarian. He hates Doom and everything she stands for and says so to her face, slowly remembering the occasions when they've met before from his point of view in his first, second and sixth incarnations (Doom's met him in later versions and not really gotten along with them either presumably because they remember this meeting with greater clarity). He's life's champion and at every turn he tries to distance himself from her and even when they have to ally with one another, he's less keen than if she'd been the Master.
The effect of this is for us to re-assess how we've reacted to Doom's adventures. As consumers of various franchise content, our suspension of disbelief changes depending on what we're watching, reading or listening to. Having a hired assassin as the protagonist allows us to bend out morality to accept that for her missions to be a success she has to outright murder people and we might even cheer her on as she does so. On occasion she does find a way of dodging the murder of innocents, but bumping off crime bosses is fair game.
Except now we have the hero of the franchise, usually our hero, pointing out the moral implications of that lifestyle. Some of the hours are structured like Doctor Who stories but with someone who has a different moral compass at the centre and now we're beginning to question our own enjoyment of events and its the first occasion when Doom herself takes a good long look at her lifestyle. That makes this one of the richest of the various hours and makes the whole trip worthwhile - well that and the hilarious twist in the final hour, but you'll have to read that yourself.
Placement: Charley says she and the Doctor have been travelling for a while so let's put it just before Time of the Daleks to help that make sense.
Review 2023: A Review of 2023: March
01 Twitter pretended everyone was a new user
Review 2023: A Review of 2023: February.
Review 2023: A Review of 2023: January.
Almost every day this year I've been collecting what seem to be the most significant or at least the most talked about news stories or happenings and keeping them as a list. Sometimes I've just written something else or kept a record of something so outlandish it had to be saved for posterity. If something looks especially esoteric, I've probably forgotten for a couple of days and wanted to fill a gap.
Ferris Bueller says “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” Here's 365 examples of me doing just that. It's all the stuff you either may have forgotten or didn't see in the first place. Each piece will be accompanied by one of a favourite song containing the name of the month.
Anyway, to January which began with something which probably defined the year.
Firelight (Once Upon A Time Lord)
Comic Once Upon a Time Lord is the first in what's to be comics a-lister Dan Slott's annual Doctor Who story, on loan from MARVEL, where he usually writes for the Spider-Man and She-Hulk lines. He's been a fan of the show for years and says that when crafting this graphic novel, he wanted to write it as though it might the only time he'll get the chance so he's included everything, all the monsters and importantly for our purposes the Doctors.
The story opens with ten frame collage in which each incarnation of the Doctor up to the Tenth (not including War) is show explaining the modus operandi of the main villian, the Pyromeths, creatures who "feed on the precise psychic energy that's released whenever we create imaginary worlds, characters, and conflicts" a little bit like the birds in The Scarlet Empress or Akhaten in The Rings of Akhaten. Like Big Finish, they love stories.
The Eighth Doctor appears in a single panel in his Dark Eyes leathers talking to Molly because we're in deep cut territory (the Sixth Doctor's chatting with Frobisher) standing next to the TV Movie console on the opposite corner to the visually similar Secondary TARDIS Console Room from the Hinchcliffe years. He's the one who directly references Scheherazade, the storyteller from 1001 Nights (which I had to look up because I didn't know her name).
There's nothing more to it than that. Why Eighth and Molly? I've asked Mr Slott on the socials but don't really expect a reply, he's far to busy. There's no mention of it in the interviews I've tracked down either. It's notable that Big Finish doesn't have a credit and neither does DWM for Frobisher which is odd considering all of the notices for the Daleks and Cybermen. Perhaps there's some kind of shared domain business.
Placement: The TARDIS Wiki places it between The White Room and Time's Horizon. Let's go with that.
A History of the BBC in 100 Blog Posts: 1989.
"There are worlds out there where the sky is burning, where the sea's asleep and the rivers dream. People made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on Ace, we've got work to do."
The Show
Places
"An amateur film of two North London cinemas and a BBC run open day at the Ealing Film Studios that features props and iconic set pieces from the TV series Dr Who."[Screen Archive South East]
"The Director General of the BBC Michael Checkland was heckled by journalists when he arrived to open the organisation’s new television centre in Nottingham."[Media Archive for Central England]
"Report on 10th anniversary celebrations at Radio Foyle. Interview with Sean Rafferty, Gerry Anderson and Michael McGowan. Reporter: Liam Creagh."[BBC Rewind]
Programmes
"The most innovative and consistently funny British sketch-based comedy series of the last 15 years is also one that is inexplicably only ever repeated at late nights on cable channels: BBC’s A Bit of Fry and Laurie (1986 – 1995)."[Off The Telly]
"Michael Peters’ design for the BBC Corporate Identity, launched in 1988, had sharpened up the existing BBC slanted blocks and typography and had introduced the underscore beneath the blocks in colours to represent Scotland, Wales and Ireland."[Ravensbourne University London]
"The phone rings in Michael Palin’s office. “Hello?” he answers. “Yes, yes BBC, I know.” A pause. “You want me to what? You want me to go around the world? Yes, but I don’t see why, you can go around the world in 36 hours …” Silence. “Ah, 80. 80 days. Yes, I see, I’d be Phileas Fogg. And no aircraft.”"[Off The Telly]
"Peter Snow presents the programme on the day the Berlin Wall was breached."[BBC Clips][BBC Programme Index]
"The Blackadder star loved playing the villain in this Robin Hood spoof – but Kate Lonergan had to get checked for bites between shots as her yellow underwear kept attracting ticks."[The Guardian]
"This special edition of Open Air focused on the success of Australian soap operas in the United Kingdom. The Prisoner segment includes phone interviews with actresses Sheila Florance (Lizzie Birdsworth) and Val Lehman (Bea Smith). It aired on 27 April 1989."[NSFA]
"Watch the band's interview with Red Dwarf star Craig Charles on this archived slice of grindcore heaven."[Metal Hammer]
Politics
The Future
Christmas Links #24
‘I cried for hours’: the moments people realised truth about Father Christmas:
"Suspicions start to become aroused around the age of eight, shows psychology study."
Christmas Links #23
Last Christmas scores Christmas number one, beating Sam Ryder and Mariah Carey:
"Wham!'s Last Christmas has been crowned this year's Christmas number one, 39 years after it was first released."
Christmas Links #22
"Algorithm concludes most of Madonna della Rosa was by renaissance master – but not the face of Joseph."
Christmas Links #21
"On January 1, 2024, after almost a century of copyright protection, Mickey Mouse, or at least a version of Mickey Mouse, will enter the public domain. The first movies in which the iconic mouse appeared – Steamboat Willie and the silent version of Plane Crazy – were made in 1928 and works from that year go into the public domain in the United States on New Year’s Day 2024."
Christmas Links #20
"Age standardised annual mortality rates in England, Wales, and the UK from 1963,"
Christmas Links #19
Categorical Imperative (Short Trips: Monsters)
Prose The TARDIS Wiki page for Simon Guerrier's story is quite the thing, explaining as it does the background of the Kantian philosophy which underpins events, whether the murder of a baby who will go on to destroy a planet is justifiable, basically should be kill Hitler? Told mostly from Sarah Jane's point of view, we see all of the Doctor's incarnation up until that point attend the child's funeral, each on a mission to knife the thing in its crib with the Fourth Doctor brooding in the corner, biding his time. As ever it's the Eighth Doctor who does the heavy lifting. We know that the Time Lord can't do it, it's not in his nature, so it's a question of what he can do to nudge history in a different direction. Big Finish's Short Trips anthologies were often, quite, quite weird.
Placement: Charley's here, so the gap between the first two seasons.
The Glass Princess (Short Trips: The Muses)
Prose Does the Doctor have a celestial Google Calendar which pings him through the incarnations to return to certain places and catch up with whoever's there? The Glass Princess offers another example of this cross (re)generational story, as an event which happens during the Hartnell years, the poisoning of a young princess, becomes a mission as he returns throughout his life so he can wake her up now and then, for a few hours, so that her parents can spend time with her until she's the only one left of her civilisation. It's a similar effort to A Christmas Carol, with birthdays in for the 25th December and a group effort rather than just Eleventh.
The Eighth Doctor appears in the final scene, leading the girl towards her final moments. It is, as you might expect, horrendously sad and it's through his words the writer, Paul Leonard, articulates another element of the Moffat era, seven years earlier, that it's just a fairy tale, an articulation of Sleeping Beauty with the Time Lord in the role of the Prince. But honestly the section which really punched me in the gut is the moment when the Seventh Doctor gifts her a small blue badge in the shape of a boat which has been passed on by Ace who says she doesn't need it any more: "She said to tell you that you had deserved it. It's a badge really, not a brooch. It's only given to people who are very special. Very brave."
Placement: Outrageously, I think I'm going to retcon this in the Time War era, in the period when he's dealing with unfinished business.