Arden Shakespeare Third Series Complete Works.

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The publication of this complete works ends Arden's decades long process of editing the third series of Shakespeare's plays, begun in the 1980s with the first play, Henry V, printed in 1995.  Although there was a similar volume in the meantime which included material from the second series, this is the first to collect the Third's more eclectic approach to presentation in a single volume.  Arden's had four different publishers or imprints since work began.  Work on the fourth series began in 2015, the results of which won't be released for some time yet.

This complete works follows roughly the same structure as the individual volumes.  There's an introduction offering a general overview of the production of the plays which includes a short biography of the writer, the works in performance and print and their legacy.  The language is slightly less academic than usual, perhaps because there's an expectation that a wider audience might purchase a complete works for the shelf and the paperback in particular is a very reasonably priced option in comparison to some.

After the poems, the plays are then presented in alphabetical order from (ironically) All's Well That Ends Well through to The Winter's Tale, unlike the Oxford Complete Works presents them in date order or the RSC edition which mostly follows the First Folio.  The Oxford just has one version of Hamlet and two Lears, but the Arden does the opposite, having previously offered Q1 & F in one volume with Q2 in the other.  It also includes Double Falsehood which even the most recent edition of the Oxford forsakes in favour of a page explaining the existence of Cardenio.

These are the plays as they were originally published, pruned of their footnotes but retaining the editorial presentation choices.  Sir Thomas More has additional labels noting which hands in the original manuscript held at the British Library wrote each section with different fonts utilised if this occurs in the middle of a speech.  The Lear uses san-serif Fs and Qs to denote which passages are singularly present in each version of the play. 

Each play is heralded by a single page introduction, essentially an abstract of whatever the original editor thought was important in the individual publications.  A bibliography at the back of the book lists hundreds of books and websites covering all aspects of Shakespeare scholarship, a whole degree course across six pages.  This is followed by an index of sonnet first lines, the first lines of the songs across the plays and finally a glossary, which means I finally have an explanation for what a "fardal" is.

Despite already owning the majority of the Arden Thirds thanks to review copies and my own wages, this is still an invaluable possession.  Alphabetising the plays makes them much easier to cross reference between texts and the various introductions are a swift reminder of what to look for when encountering the plays, finding a decent middle ground, both scholarly and accessible.  So congratulation to Arden for reaching this milestone and I can't wait to see what the fourth series has to offer.  Arden of Faversham perhaps?

Arden Shakespeare Third Series Complete Works. Edited by Ann Thompson, David Scott Kastan, H. R. Woudhuysen & Richard Proudfoot is published by Bloomsbury. 2020. ISBN: 9781474296366. Review copy supplied.

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