Unfairly treated by critics this dark satire on the art world is as good as any of Zwigoff's other films if not better. I'll be very surprised if this isn't re-evaluated in a few years for being the post-modern masterpiece it clearly is.
Really, they don't make them like they used to. Despite being fundamentally a work of pulp fiction, its exquisitely shot and thematically consistent. Too many great lines of dialogue or scenes to list. Probably one of my favourite films. Now.
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