Birdsong
Obviously, with my highbrow brain, the title of this doesn't go to the Sebastian Faulks novel championed by William Hague on The Big Read, but to the bits of sound used to cover up the swears and unauthorised chatter from when Kermode and Mayo's podcast was at the BBC. None of which has anything to do with this audio, which has a similar story to The Rescue with the TARDIS team finding some scouts waiting for the rest of their colony to arrive, and nothing being as it seems, although it's probably not a spoiler to suggest birds have something to do with it. It features former Susan Foreman actress Jane Asher as one of the survivors and is just a very pleasant listen.
Lost Hearts
Another run-out for the celebrity historical as Monty James helps the Doctor investigate ghosts on a university campus in what ends up ploughing through a whole Moffat season of time dilations in about fifty minutes. Nicola Walker is on particularly great form as Liv finds herself seeking a solution alone whilst trying to convince the TARDIS to move using its telepathic circuits. Best in show is Tim Bentinck as the very Zaroff-like Professor Alistair Gray, whose rich voice and ripe delivery pit him against some of the show's best villains, and whose intellectual shell masks a personality which is completely unhinged and without a particularly rational motivation (the best kind).
Slow Beasts
On his website, the writer of Slow Beasts, Dan Rebellato talks about how "this is a culmination of a 48-year journey with Doctor Who" having been a fan since childhood. He's written about it loads on his blog and clearly understands the thing, so it's no surprise that this is the most original of the stories on the set. In the "slow beasts", he conjures images which might not be credibly created on screen and that can probably only really work in our imaginations. There's also some brilliant writing for the Eighth Doctor as he finds a way to communicate with these colossal statues which involves something we could all do more of: listening. There's also an imaginative use of Derek Griffiths, playing on our expectations of him as a piece of casting.
Placement: The usual.
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