Film I re-invigorated my love of cinema this afternoon. I wasn't expecting to - it just happened. It happened during the opening moments of Moulin Rouge. Here is a film which had stripped away all of the usual mess at the beginning of a film to do with quietly setting up character and plot and was actually giving away the end, throwing us directly into the place. We visit the cinema for escapism and here it was.
Another attempt to create a hip-musical, Rouge is better than most, possibly because rather than taking it’s cues from the Hollywood of the 1940s, we have the ye olde musical exemplified by the strangely long-running tv series ‘The Good Old Days’. Yes the characters are simplistic, but no less simplistic than the average Lloyd-Webber – and at least here don’t feel like constructs of the script – even if in fact they are. As with ‘Romeo and Juliet’, director Baz Luhrmann takes his cues from music video to the point of using late twentieth century pop over more traditional music. Don’t listen to anyone – this works stunningly well. In a scene reminiscent of the balcony scene from the aforementioned play about star-crossed lovers, instead of Shakespeare, we find song lyrics, everything from ‘The Beatles’ to Bowie – hell they even make the work of Elton John seem half decent.
But can they sing? Yes and they can dance a little – and act.
Nicole Kidman has always seemed a slightly anti-sceptic actress. Her performances have always been at the edge of passion – slightly distanced from the material. Paradoxically she made ‘Far and Away’ – her work there was funny and touching despite the accent. In ‘Moulin Rouge’, that Kidman is back, with her comic timing and luminous sadness.
Ewan McGregor should now be a broken actor. Students from the early nineties look into his eyes and see a heroin addict. Kids of the late nineties watch him move and see a lightsaber in his hand. It’s a testament to his skills at an actor that he carries this baggage, but we are still expecting even more from him. A spent force? Not yet.
Even Jim Broadbent manages to work wonders with what could be a one not part, being angry and soft in the same moment at times.
So the film -- loud? Yes. Brash? Certainly. Worth seeing? Go with an open heart.
Film No less escapist, yet with even more heart, A Knight's Tale is of all things a Medieval Sports Film. Following roughly the same plot of a hundred baseball films, and as predictable, this is still remarkably entertaining stuff -- more so because it get's by without directly referencing other films (the usual crime). Like Rouge, the contemporary soundtrack does not jar -- although a certain David Bowie track does feel a touch old fashioned in one scene (if such a thing could happen). Apart from the fascinating direction and challenging direction (yes I am saying that with a straight face - for once we have someone who's remembered he's making a film not a video - the general lack of close-ups is invigorating), two things really stand out for me. The scenic effects here are stunning - Medieval London looks the part, and I couldn't help but think of Olivier's 'Henry V' which created a very similar effect so many years ago. And what casting. Heath Ledger is a star in the making, filling his part as though written for him. Mark Addy's surf is again in a role written for him (surely a worthy successor to Roy Kinear in such parts). Paul Bettany also looks set for instant stardom, his Chaucer a potent creation. A potential weak link might have been Shannyn Sossamon, but she fulfils the role of the typical Chaucer ideal of beauty well. Rufus Sewell does his usual. Then in the middle of it all is our Laura Fraser, seemingly set for stardom after 'Small Faces', here again in a supporting role. But she's only 24 - she sparkles as usual here and there's plenty of time. The best Javelin tournament film ever...
Life Still a bit sniffy. I think this will be one of those colds which could go on until Christmas...
Books The Guardian (via Booktrack) lists the most resilient popular fiction in the UK over the past five years. Impressed to see I've only read one of them, Wild Swans by Jung Chang. I've never understood the Terry Pratchett phenomena. Nice chap when I've seen him interviewed, I could never see what so remarkable about the books, overwritten, and a poor man's Douglas Adams, especially the first book which felt like Hitchhiker's in a fantasy setting. Good to see Tolkein in there then. And 'A Brief History of Time' - which seems like one of those books everyone buys but never gets around to reading.
Journalism Citizen Layne: Want My Story? Help Yourself! There has been some discussion throughout the blogging community about plagarism -- is adding a link on your site without mentioning the source stealing intellectual property or just acknowledging a great find? Ken Layne of the Online Journalism Review encountered an even great example, when the majority of a story he wrote about 'Crikey!' an online journalist, appeared at the Business Week website. It's been a well worn tactic in the national newspapers to work up stories which have originally appeared in locals which are only read by a small number of people. But on the internet there is a level playing field - and as Layne points out: "This is the Internet. Take something from an online journalist and call it your own, and that online journalist will find you."
